Category Archives: Art

Going Out Tonight…

…to see THIS lady…

theartofasking_imageImage: AmandaPalmer.net

…listen to her talk, listen to her sing, and stand in line for a long time so that I can get my copy of the book personalized and share ten seconds with her.

Because of this TED Talk,

and this song,

and this (very, very NSFW video) song,

and this (very, very NSFW video) song,

and this (very, very NSFW video) song,

and this (mildly NSFW) song (sorry, it’s YouTube, you’ll probably have to watch at least the first part of a stupid commercial before the video),

and this Kickstarter project,

and this commitment to her priorities and ideals,

and the times her and her Twitter followers have made me cry,

and a thousand other things.

 

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Filed under Art, Entertainment, Music

Patterns Number Two

I was thinking about patterns again today in a couple of different respects. One thing was the human propensity to see faces in random patterns, a psychological phenomenon called “pareidolia.” More about that some other time.

Another thing was the idea of cataloging, categorizing, organizing, and generally trying to bring order out of chaos. I’ve seen a lot of that for decades in data management, from accounting to databases of pictures, songs, files, newspaper articles, scientific data… Turns out when you go to research it, there’s an old, old discipline that has already figured out a lot of this and is working hard to bring the tools and concepts into the 21st Century — library science. Some days I wonder if I shouldn’t have studied it instead of physics, if I knew then what I know now. It might make it easier to keep track of which photos and article ideas I’ve used and which are still open to abuse writing and publishing.

Patterns.

Chaos —> Order.

Then try to keep it that way.

Easier said than done.

Entropy’s a bitch.

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Patterns Number One

Something I find interesting when shooting random pictures. Isolating things that are just background objects in our normal daily activities, looking for a different perspective. Close-ups. Odd angles. Shapes. Colors. Patterns.

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The “funny” part (“You keep using that word, I do not think that it means what you think it means”) is that I think of a subject for posts based on pictures (like this) because I’m really tired and want something I can knock out in five minutes without a lot of thought — then I invariably spend almost two hours finding and formatting just the right pictures.

My brain might be rotten.

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Long Exposures: Rainy Night In LA

Not tonight — we got about thirty seconds of rain on Monday, but other than that it’s been dry as a bone for months and months and months and months and months…

These are from 2006, on a “dark and stormy night” when I was at a hotel down by LAX, unable to get to sleep, playing with long exposures to kill the time. I tried both to hold the camera still and let the cars and planes and clouds move as well as trying to move the camera a bit and see what kind of patterns I might get.

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Filed under Art, Los Angeles, Photography

Midwestern City At Night Circa 2006

Take a dark night, plus bright lights, plus a long exposure, with a bit of motion tossed in.

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You can get fascinating, abstract images.

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They’re pretty images.

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Some might be vaguely recognizable.

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Some might be art.

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You don’t need to be on a plane.

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A car will do just fine.

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They’re very useful when you’ve had quite enough of “the news” for today, thank you very much.

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Filed under Art, Photography

LAX Night Landing – City Lights In Motion

I’ve always been interested in some of the more abstract and artistic things you can do with light, dark, and motion in photography. I think part of this comes from my first astronomy photographs as a teenager being star trails. (We haven’t done those yet, too much light pollution in the city, but it might be worth a field trip.) Photographs of fireworks also are related to this. It also goes to how ultra slow-motion photography and time-lapse photography can make you notice things that would otherwise go unseen.

In low light, trying to take pictures of pinpoint lights is a problem. To do it properly you need a tripod and a long exposure. Generally for this sort of thing you think of cityscapes or catching the moon rising or setting. For the most part, the subject of the photograph is static, motionless. As long as the camera’s also motionless (no wind jiggling the tripod, etc) then you can take a 30-second or longer photo and keep it in nice, sharp focus.

If you can’t keep the camera motionless, you’ve got problems. I’ve tried many times to take pictures of cities at night from 33,000 feet. There might be one or two that are at least kinda-sorta recognizable as the subject (Las Vegas is pretty good for that) but most of them are a blurred mess. A one or two second long photo of bright lights in the dark turns into a soup of blurred dots.

But what if you take that “problem” and take it to an extreme. Sometimes I’ve stumbled on things accidentally and later deliberately to try to reproduce and experiment with the technique. I find that it can give some beautiful and amazing results.

Here are a few pictures from a flight where I was landing at LAX at about 10:45 PM. All of the pictures in the series where I tried to actually capture the city lights as they looked, using 1/2 second and 1/4 second exposures? They’re garbage. But a few of them that accidentally got exposed for two or three seconds, combined with the motion and vibration of the plane, made something quite different.

(Remember, you can get full-sized images by clicking on these.)

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I really like the way this one shows an obvious effect when you’re moving as quickly as you are in a jet on final approach. The lights nearest you (lower right) move a long way during that 2.5 seconds, while the lights in the distance move much less. And the full moon in the far upper right doesn’t move much at all. Regardless of the reason, it’s a great effect.

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The most interesting thing about this one is how there are elements that are not moving in step with the others. Normally, all of the squiggly lines that are made by the motion are in lockstep (the lights are all still, you are moving and jiggling, the lights all take the same path) but there is the appearance here of some lights moving in radically different directions than the others. I think I know what caused it, but it’s still very odd.

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Possibly Inglewood under a layer of thin clouds. It makes me think of the portrayal of Los Angeles in Richard Kadrey’s wonderful “Sandman Slim” books.

Each of them could all be used as the background of a John Harris or Richard Powers painting. But that could just be me.

 

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Filed under Art, Flying, Photography, Science Fiction

No Pictures Today?

On a trip of any kind, on a vacation or not, what do I do? Constantly? Every day?

Right! I take LOTS of pictures.

It was a busy day seeing things (Ronnie found a chocolate factory to tour), eating things my dietitian would not approve of (but not gorging myself on it, not to worry), picking up my mother at the airport (she was coming home from visiting her family in South Dakota), and watching tonight’s hockey game at my sister’s house (OK, we’ll win it in five, at home, instead of in four, on the road).

Now I’m just jet lagged and off my feed enough to be at the point where I don’t quite know without looking what time it is or even what date or day of the week is is. With the daily routine gone, so is my sense of time and space.

I figured I would share a picture or two, as I normally do. But I took almost no pictures today.

You heard correctly. I took very few pictures today. Only about a dozen.

Part of it was the weather – it got rainy with a low overcast and lousy visibility most of the afternoon, so I’ll have to wait to take phantasmagorical panoramas of the green Green Mountains. (I guess tomorrow I could take pictures of “rain things,” they’re novel to me even if they’re normal for you…)

About half were pictures I took to demonstrate my iPad to my mother — the good news is that I’m not going to have to teach her how to use a smart phone or tablet. But the goofy pictures of her and me and The Long Suffering Wife at dinner are: a) personal and not appropriate for posting here, and; b) oh, who are we fooling, of course I would post them here, “appropriate” or not, but they are really low quality and suck as pictures, so you’re off the hook and don’t have to look at them.

All of the rest of the pictures were of a beautiful spider that I saw at the airport. It was on the outside (which no doubt helped my opinion of its beauty) so I could get really close to it without there being any chance of actually coming into contact with it. So I did. Good pictures.

But I realize that spiders are a trigger for some people. My first wife was absolutely TERRIFIED of spiders, no matter how small or how far away, so that’s a phobia I’m sensitive to.

(brief pause while I have a brilliant idea, especially for the late hour, and go do some things to completely change my train of thought)

I wanted to share the spider picture, but didn’t want to freak anyone, so I posted it here, on my Tumblr page. I’ve been wondering what to put up on Tumblr beside pointers to this blog. This may be the first clue about how it can all work together.

In addition, while digging around for the spider picture, I also realized there was another set of pictures that I took today.

I’ve mentioned in the past that different cities have different “art themes.” This is a setup where they have dozens or more identical fiberglass figures which are then painted bizarrely and auctioned off for charity. Angels in Los Angeles, cattle in Kansas City, “hokie birds” in Blacksburg, VA, mermaids somewhere in a Virginia coastal city, jackalopes in Midland, Texas.

In Vermont it’s dairy cows, apparently with the theme “The Cows Come Home To Burlington.” (The plaque had a website listed, but I get an error trying to link to it, so maybe that’s dead.) In the airport, on one of the baggage carousel, is this one.

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photo 2See, even when I don’t take pictures, I take pictures.

 

 

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Filed under Art, Photography, Travel

A Possible Countermeasure Against Telemarketers!

I’ve got it, I think. Perhaps. Let me know if there are unseen flaws in the plan, but if not, spread the word! Maybe we can stop these slimy bastards in their tracks, or at least slow them down significantly.

First, a few thoughts, some talking points, a little gedankenexperiment if you will:

  • These calls are annoying, illegal, and 99.99% guaranteed to be scams.
  • The people making these calls are often rude and abusive.
  • We would love to stop the calls altogether, but we’ve seen how well that works. Unsolicited telemarketing calls have actually been illegal for years, but there’s just about zero-point-zero enforcement, so what’s the use?
  • As individuals on the receiving end, we can hang up on them, yell at them, cuss them out, ignore them, or otherwise find a way of dealing with it. However, many of those methods still involve raising our blood pressure.
  • The best way to handle these calls is to screen them and just not answer at all — but some people (like those of us sending out resumes and looking for a job) regularly get (or hope to get, hint, hint) calls from unrecognized numbers.
  • The companies making these calls are successful because of automation and volume. They only need one in a thousand people to be ignorant or stupid enough to bite on their scam, they’re calling millions of people.
  • Humans aren’t making the initial calls, that’s a computer just going down a list calling one number after another.
  • The individuals working for these companies (couldn’t they get a job at McDonalds or in a Bangladeshi clothing manufacturer’s sweatshop, they have to sink to this level?) just take call after call after call after call. They’re making their pay based on the number of calls they make and the number of “leads” they can set up.
  • If you hang up, the company and their employees don’t care — they just move on to the next call.
  • Once you’ve gotten enough of these calls, you can recognize that a call is probably a telemarketer even before they start talking — you answer, get silence for a second or two (the computer on the other end is waiting to see if there’s a live human answering), then a couple of clicks (the computer has detected your presence and is now connecting you to somewhere in southeast Asia or Texas), then someone wanting to sell you aluminum siding.
  • It might be spite, but wouldn’t it be really great to find a way to simultaneously: A) Hit the telemarketers where it hurts (i.e., wasting their time), and; B) Have a bit of fun at their expense?

This would be wonderful, a much better option than getting frustrated! We’re not going to let the bastards wear us down! Illegitimi non Carborundum!

Some incompetent telemarketer may have inadvertently revealed to me the way to do this.

The call came in, I heard the silence and the clicks, I hear the background noise of a hundred telemarketers reading their scripts, and then “my” guy starts in:

“Hello, this is Bubba Schimmelfinny with ABC Corp, can I speak to Mark?”

Okay, this was new. I was perfectly ready to simply hang up — but this guy had a wrong number and didn’t know it. Maybe…

“I’m sorry,” I said, “would you like to try again?”

“I need to speak to Mark, please.”

“Would that be Mark as in my brother who lives in Vermont?”

Embarrassed silence for a second. “Oh, I’m sorry, I need to speak to Frank, please.”

“Strike two, would you like to go for three?”

“I don’t understand, maybe… The computer says… Oh, okay, can I speak to George?”

“Keep trying, slugger. You’re not getting warmer, but at least you’re entertaining.”

“I’m sorry for the call.” For a second before he cuts of the call, I can hear chaos and confusion on the other end.

Observations:

  1. I was laughing, not grinding my teeth.
  2. The buffoon telemarketer had wasted more than thirty precious seconds on a totally useless call.
  3. Absolutely the best of all, there was a real problem at their end when their computer had flipped out and was feeding garbage data to the guys on the phone.

And it struck me — WE COULD DO THIS TO THEM ON EVERY SINGLE CALL!

I tested the theory an hour or so later. The call, the silence, the click, the “Hello, can I speak to Paul?”

“Excuse me, Paul who?”

“Isn’t this the number for Paul Willett?”

“Beg your pardon, can you speak up, you’re very faint.”

“I’M TRYING TO REACH PAUL WILLETT.”

“Raul Willard? Never heard of him.”

“No, Paul. Willett!”

“Can you repeat that?”

Long story short (too late!), I kept that poor kid on the phone for nearly a minute, and when he finally hung up he was pretty sure that his computer had fed him garbage on that call.

But that’s just the beginning.

Remember Arlo Guthrie’s “Alice’s Restaurant?” (Wait, what… You don’t?! Okay, go immediately and listen to it, then listen to it again a couple of times because you will realize how perfectly wonderful it is. When you’re ready, come back. I’ll still be here.) His cause was fighting the draft in the Vietnam War era, but his technique will work here as well. Remember how at the end he wants everyone to walk into their draft board, sing a bar of “Alice’s Restaurant”, and walk out? If one person does it… If two people do it… If ten people a day did it… What if a hundred people a day…

So what if 10% of the people answering the calls from telemarketers played this game? (Extra points if you want to keep track of your personal record for how long you can keep someone on the hook.) What if 25% of us did it? What if half of us did it?

The telemarketers would:

  1. Be losing money, because their non-productive calls, which currently only cost them a few seconds, would now cost them ten or twenty times as much.
  2. Be unsure whether there was an actual problem or not. They could spend tons of money trying to “fix” a problem that doesn’t exist.

This type of thinking is not without other precedents. There are folks who deliberately “bait” the guys sending out the “Nigerian prince” emails to see how much of their time they can waste, with the real goal being to someday set one of these stooges for a sting by law enforcement. We could do something similar, on a much smaller, more personal scale.

Alternatively, you could look at it as a new type of performance art. The new equivalent of “planking” or “Tebowing.”

It could work! What do you think?

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Filed under Art, Farce, Freakin' Idiots!

Extremes

I’ve been thinking a lot this past week about extremes in human nature. It’s a theme that you see regularly here and there, in all genres of fiction. In particular, I see it a lot in science fiction.

On the one hand, we can create fine art in all forms. Mozart’s 40th, Beethoven’s 5th, and Pink Floyd’s “Dark Side Of The Moon.” “The Godfather” movies, “Bridge On The River Kwai”, and “Field Of Dreams.” Picasso, Rembrandt, Renoir. Shakespeare, Twain, Dickens.

On the other hand, we can destroy more horribly and thoroughly than any plague of locust. Gallipoli. Gettysburg. Dresden.

On the one hand, we can build great cities and buildings. New York, Paris, Shanghai. St. Peter’s Basilica, the Great Pyramid of Giza, Burj Khalifa.

On the other hand, we can abuse and misuse our talents and create monsters. Chernobyl. Love Canal. Climate change.

On the one hand, we can perform incredible acts of bravery and kindness. Mother Theresa. Mahatma Gandhi. Nelson Mandela.

On the other hand, we can inflict horrible acts of cruelty and hatred. Adolf Hitler. Idi Amin. Pol Pot.

On the one hand, we can do incredible things to better the lives of everyone. Medicine. Education. Communications.

On the other hand, we can treat our fellow humans as if they were nothing. Slavery. Bigotry and repression. The Holocaust.

On the one hand, we can create and discover and invent unbelievable things. Gutenberg. Edison. Apollo 11.

On the other hand, we can turn our backs on reality and let our darkest fears take us. Jonestown. The Manson family. Suicide bombers.

You get the picture.

Without darkness, how can we know what light is? Without sorrow, how can we savor joy? Without hatred, how would we learn to value love?

How can we as a culture, as a society, as a species be so amazing, awesome, and incredibly fantastic, while at the same time being so hateful, despicable, and disgusting?

More importantly, how can we as individuals maintain balance and reconcile this duality, both within ourselves and in the world as a whole? When the news and the comments section of just about any internet article make you think there are no redeeming values to humanity, how can you remember that each of us can love and be loved? When the horrors of the world threaten to blind you, how can you remember to look at all of the beauty in the world?

In science fiction, these extremes and this dichotomy is often shown in how an alien species might judge mankind. For example, in “The Fifth Element,” Leeloo is almost overwhelmed by human’s propensity for war and destruction and must find love to see if it’s enough to balance out the horror. At the end of Heinlein’s “Have Spacesuit, Will Travel,” Kip and the Mother Thing must defend humanity in a galactic court judging whether or not humans are too dangerous to be allowed to live. In the “Star Trek” adaptation of Fredric Brown’s “Arena”, Kirk and the Gorn fight to the death to see which species will survive, but Kirk’s refusal to kill the Gorn when he can shows that humans have “potential.” The character of Q is a recurring force in “Star Trek: The Next Generation”, judging mankind and weighing the opposing aspects of good and evil in our actions and nature.

With all of that in mind, what’s been on my mind has been whether or not this range of extremes is a good thing or a bad thing if and/or when we ever encounter another, superior alien race, or even a full-blown galactic civilization. (I’m not getting into the whole Fermi Paradox thing right now.)

Will we be judged as too extreme, too unpredictable, and therefore too dangerous or immature as a species?

Or will these extremes and fundamental dichotomies be judged to be a great strength, giving us flexibility, strength, and adaptability? “With great power…” and all of that.

I wish that I had an answer. I just know that now, I seem to be surfing the highs some days and being beaten by the lows on others.

“Balance” is not the same as “average.” I don’t know if the world’s getting more extreme, or if it’s just my perception of it.

Finally, while my knee-jerk reaction on the “down” days is to wish for less amplitude with higher lows and lower highs, I hesitate to voice that wish too loudly since it would also mean a world with less exhilarating and spectacular peaks.

I don’t know which scares me more, thinking that I’ll never find an answer, or fearing that I will find it but will then not be able to hang onto it or share it with others.

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Filed under Art, Music, Politics, Science Fiction

When There Aren’t Any Pumpkins

Back before Halloween, I posted a bunch of pictures of Jack O’Lanterns carved by my talented daughter. She produces a whole slew of these in late September and all through October when there are plenty of pumpkins available. She generally also stockpiles a dozen (or more) to carve into November. But then the Dark Times come, the long months of waiting before the next year’s harvest of gourds.

But she’s a clever girl, so throughout much of the year, particularly the late spring and summer months, there’s an alternative medium which is a perfectly good substitute for pumpkins:

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IMG_1720 smallNice work, eh? Looks like just another pumpkin carving. Until you turn the lights on.

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IMG_1698 smallThe thing I loved most about having her carving watermelons was that we get to eat all all of the watermelon that gets scooped out. (I love watermelon — pumpkin, not so much.)

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