Category Archives: Science Fiction

What Are You Reading On Wednesday, October 1st?

After several consecutive days in which it feels like I’m getting to bed way too late, getting up way too early, and juggling cats all day in between, today has been more odd than most. A memorial service for an ex-brother-in-law (is there an actual term for a brother or sister of an ex-spouse?) and way, way too many hours in LA rush hour traffic, both coming and going, watching innumerable yahoos driving while on the phone, texting, eating, shaving, putting on makeup, or generally doing ANYTHING except driving their car and staying in their own lane.

Trying to get my thoughts back on track this evening, I realized I hadn’t actually sat and read a book, a work of fiction printed on dead trees, in quite a while. I read articles and news and tweets and so on all day long, and I’m constantly looking stuff up and web surfing and reading things about all of the various topics you might see here — but I haven’t just kicked back and read a book for the pleasure of it in some time.

I think I’m going to do that tonight. When I was last reading, I was about a quarter of the way through Mira Grant’s “Blackout.” It’s still sitting here on my desk, staring at me, making me feel guilty every day. Time to get back to the zombie apocalypse.

If you’re following this blog and you’re not a bot (hello, bots!) I’m confident that you’re also a reader. While I go off for some mandatory decompression time with a good book, I’ll ask what you’re reading or what you most recently read? I’m curious.

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Filed under Distracted Driving, Paul, Science Fiction, Writing

Flash Fiction: Bust (Act Three)

Late last year we did something similar to the current ongoing Flash Fiction Challenge. Then, we spent five weeks (here, here, here, here, and here) writing 200 words each week. Each week we used the previous work of someone or some group to build on. It was pretty fun.

This time we were misled by a devious and diabolical ringleader, who instructed us to write 500 words as the first half of a 1,000 word story. But then our beloved Big Chuck changed the rules on us, revealing last week that our 500 words were only the first third of a story. Last week we all took someone else’s first 500 words and added the “middle” 500 words of our own.

My first 500 words from two weeks ago was picked up by Jemima Pett and her continuation of my story can be found here. I really liked what she did and there are many suitably creepy things for us to figure out on our own. Alas, as of this writing, no one has picked it up to write a third act. Maybe later.

Last week I picked up the first 500 words from Aspen Gainer — her original post and website can be found here, while my 2nd 500 word continuation can be found here. This story thread has proven popular. So far it’s been picked up by Leah Heard and by Jon Stoffel. Both are wonderful and well written and I encourage you to read them.

Finally, this week we’re to pick up a story that we have yet to work on and finish it with a third section of 500 words. I’ve picked “Bust,” which is so far very creepy and ominous and threatening and not necessarily for those who don’t like horror or slasher films. Like me! Which is one of the reasons that it’s such a challenge to finish without screwing up too badly.

(Late, late note — this was a bitch to get down to size, my toughest edit in a long time. First draft was 731 words, second was 619, third was 541, fourth & final draft is 500 words on the nose. I win!)

“Bust” was started two weeks ago by Geletilari, continued last week by Sweetsoleah, and now completed by me. I hope everyone enjoys it!

BUST (Act Three)

Act One (by Geletilari)

I throw the dart up into the air and it hits the ceiling and sticks. I watch it, laying prone on my bed, pillow under my feet. My new white Hanes crew socks are so bright. I love new socks and underwear. I wiggle my toes and look back up to the ceiling, eyeing the blue dart and daring it to fall. As if on command, it releases its hold on the ceiling and drops, landing softly on my thigh, bouncing and resting on the bed.

“Shit.”

I toss another dart northward and it does not make it to the ceiling, falling between my legs onto the sheet. I continue this way for some time. It is a game I made up and I change the rules every time. I don’t play it often. But I play it when I am angry. Why am I angry? I am angry because my brother Garth is successful. He is the golden boy in the family and he just got a new house and a new wife. I am angry because I am working at an Applebee’s instead of at the pool like I wanted to this summer. I am angry because Jeannette broke up with me right before our one year anniversary and after I spent money on concert tickets. I am angry because my name is Clark. Who am I, fucking Superman? I am angry that I will never be Superman.

I toss a red dart and it sticks. I roll over onto my belly and close my eyes. I wait for it to fall. The doorbell rings, and I jump up out of bed, catching the dart on my left forearm. It pierces the skin and I go to pull it out, looking out of the second story window. I love weekends. I smile for the first time this morning. Jehovah Witnesses! Two of them. One is a man in a nice suit, the other a lady in a pants suit. I can hardly contain my glee. Maybe today won’t be a total bust.

I open my top drawer and take out my revolver, sliding it into the back of my jeans. I grab a pair of cuffs.

“No, no, there are two of them.” I laugh and find some rope and a t-shirt and bound downstairs. The front door is at the bottom of the steps. I can see them peeking through the cut class window, altering the prisms on the quarry tile at my feet. Opening the door, I try not to look excited.

“Yeah?” I already see the woman take one step forward, a pamphlet in her hand already open to a specific page.

“Do you every wonder if God exists? Would you like to discuss it?”

“Yes, I’d like to. I’m very concerned about it.”

I open the door wider.

“Won’t you come in?”

Act Two (by Sweetsoleah)

With a bright smile the woman and the man step inside.

From here on it is easy for me, like following a pattern. It is not the first time that I will do this, but at this moment I feel like it is the most satisfying time.

A wicked grin spreads over my face while I close the door behind them. It only takes a few minutes for me to have them at the right place. A quick lie and they are in the basement. I show them the fitness room to appear polite, but then I lead them right through my favorite door.

„Inside please, the room is not as pretty as the one upstairs, but at least down here we have no problems with bugs. The exterminator said he would come yesterday, but he didn’t show up and now I can’t let anyone sit in there. It is really disgusting I am sorry.“

„No problem Mr. Bennington“, replies the man smoothly.

„Clark, please, Mr. Bennington is my father.“

I give him a friendly smile, before I turn away to close the door behind us. In front of us is not a room, but a small corridor with two other doors, one of those is a cupboard with my favorite playthings. They look back at me, but I shoo them forward. No need for them to know, that I will lock the door behind us. They reach the door on the other side of the corridor and open it. I know what lies behind. A small windowless room with four chairs and a table. No other furniture or decorations.

With a frown the woman turns around to look at me.

„Are you sure that we can’t sit upstairs? It would be a lot friendlier talking about the lord with the sun shining through the window.“

I put on the saddest expression and tell her the same lie again.

„Really I can’t let you see this and the smell is the worst. The only place that I can really use is this one. I am really sorry, but maybe you would like something to drink?“

Her smile doesn’t return, but she nods and I can feel the shell of my lie cracking. I have to move fast now. I smile reassuringly at her and move to the other door.

In the cupboard is everything I need. In the shadow of the door they both can’t see me and this is my chance. My smile broadens and I take my favorite knife out of the cupboard and put it on my belt. Next I take the revolver from the back of my jeans where I concealed it. The metall shines in the dim light and I check the safety off.

I step around the door of the cupboard and point the revolver straight at them. I remember the first time I did this my arm shook slightly, but today it is straight and strong. I am no longer nervous about this.

I grin at the man, who is looking at me with a strange expression.

„Stay exactly where you are, understand?“

Act Three (by Paul Willett)

“I understand, Mr. Benni…, uh, Clark. What are you doing?.”

“Shut up. Get into the room.” I wiggle the gun in that direction so there’s no misunderstanding. “Both of you, now.”

“No, Clark,” the woman says. “You promised we would talk about God. Salvation can be yours, but not this way.”

She’s supposed to be screaming. They always scream. What’s wrong with her, doesn’t she understand who’s in control here?

“Shut up and move. Get in there or the shooting starts.”

“Clark,” the man says, “what would your brother Garth think if he saw you right now?”

His words punch me in the chest. I stagger back and fall against the cupboard door. My gun drops to my side, leaving me vulnerable. I can’t ever allow myself to be vulnerable. I must be in control.

I quickly raise the gun back up, but neither of my guests moves to take advantage of my momentary weakness. My arm shakes again, just like that first time. My breath comes in short gasps as I stagger upright. I put the gun right in the man’s face.

“How do you know my brother?” I bellow. “Did that sanctimonious prick send you here? Did he tell you you were going to die here? Move or die! Your choice.”

The man’s melancholy gaze never wavers. The woman holds out that damn pamphlet again. “We must discuss God and salvation, Clark. Garth thought it might be a last chance to save you.”

I don’t need any more of this shit from either of them. With a quick motion, I shift my aim. Point blank, right between her eyes.

I pull the trigger.

This world becomes another.

The sound is deafening. The gun’s kick lifts my arm. Where there must be spattered blood and brains, there is nothing but gunpowder smoke, acrid and stinging.

The woman is a blur, now behind me. Somehow she finds my handcuffs, cuffs my free wrist, pulls and twists my gun hand down and back to cuff it. My arm breaks in two places. I have yet to take a breath since shooting.

I scream. I scream until my lungs ache. When I can finally stop screaming, I find myself bound to one of the chairs. The man is calmly tying a tourniquet on my arm, a jagged bone sticking out through the skin. There is a lot of blood.

“Who are you?” I scream hysterically.

“We are nobody, merely servants,” he says calmly.

“You should have listened,” the woman says. “You could have had salvation. Now you have damnation.”

I ignore her. My vision goes grey from the pain and loss of blood. I have a sudden moment of clarity. “Who are you servants of?” I ask.

The man stands and looks past me to the door, bowing his head solemnly.

“Hello, Clark,” Garth says, stepping into my view. “We’re going to discuss the secret to my success.”

Garth takes out a very large knife, his eyes starting to glow like coals.

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Flash Fiction: Twinkle (Act Two)

Late last year we did something similar to the current ongoing Flash Fiction Challenge. Then, we spent five weeks (here, here, here, here, and here) writing 200 words each week. Each week we used the previous work of someone or some group to build on. It was pretty fun.

This time we were supposed to write 500 words as the first half of a 1,000 word story, but as expected, Grand Exulted Potentate Supreme Chuck changed the rules on us. Turns out our 500 words are only the first third (at least, until the rules change again) of a story, so our task is now to pick someone else’s first 500 words and add the “middle” 500 words of our own. Supposedly this means that next week we will all pick some other 1,000 words created by two other authors and finish it. Or at least, add 500 more words. You get the drift.

My first 500 words from last week was picked up by Jemima Pett and her continuation of my story can be found here. I really liked what she did and there are many suitably creepy things for us to figure out on our own.

The first 500 words that I picked is “Twinkle” from Aspen Gainer — her original post and website can be found here. I wanted to try to keep the tone of Aspen’s first half, while switching to Tomas’ point of view, and with luck, leaving it open-ended enough so that someone will tell us how it ends (or at least where it goes from here) next week. I hope you enjoy it.

TWINKLE (Act Two)

Act One (by Aspen Gainer)

“I’d like to go to space,” Katarina told her friend Tomas, tentative but confident. She turned the phrase over in her mind, testing the shape of the words in her mouth.

People laughed at her when she talked about going, but it felt more and more right each time. Even Tomas doubted her, writing it off as one of ‘Kat’s weird, wishy-washy ideas’ that would never pan out.

To be honest, Katarina even laughed at herself. Every time she thought about space travel as a real thing–not just a Heinlein-Asimov-Bradbury fuelled frenzy of excitement–after the awed giggles bubbled up through her tight chest and out of her upturned lips, she would shake her head just like her friends and tell herself why she’d never go.

“You’re too fat,” she’d say to the pink, blobby girl who lived in the mirror. She envisioned her reflection trying to squeeze into a spacesuit, coaxing and yanking an imaginary helmet over her chubby cheeks in the idle hope those cheeks wouldn’t trip up this one small step for Kat-kind.

“You’re too stupid,” she’d trace in the dust on her dresser while getting ready for bed. Even at night when she dreamed it was about her unsuitability for space travel. She’d find herself in a classroom, deep in a maze somewhere in NASA, and the man at the whiteboard would tell her she could fly whenever she wanted…after she solved the math problem on the page in front of her. Lost in space even in her dream, she doodled and doodled until the hand was just a skeleton and the paper had long since disintegrated.

Katarina knew she’d never go. She was nothing, no one, completely unworthy of these dreams. She was the night shift girl, the alcoholic’s daughter, not the Bondar-Lightyear-infinity-and-beyond type. Katarina Yosefa was tied irreparably to the gravid Earth, forever unable to ascend. She was not made of the right, light stuff.

But her heart was there anyway, buoyant beyond all sagacity, beyond the sky, beyond atmosphere and into the deep, vast nothingness–the emptiness that should have terrified her but reassured her instead.
Up there in the vast black space, she left here behind, left her behind. No heavy, cold blue-water world with all of its fluid, flexing pain. Up there she could lose herself in the searing-hot sun and empty darkness. She could drift in nothingness, alone and apart from everything she had ever known about life, about humanity, about feeling.

In space, there was nothing, her few friends told her, but for Katarina there was everything. Anything. The black, vast emptiness was potential, creation; she could build her own world and a life that came from within her.

Tomas, who never laughed at her, rang her doorbell one night for coffee. He hadn’t heard from her in more than a week, and while this was not unusual, it suddenly made him uneasy. There was no answer so he went in. The empty house chilled his skin.

Act Two (by Paul Willett)

The house was overflowing with an oppressive silence as Tomas crept through the downstairs rooms. Katarina had never allowed him to come in and had never said why. Tomas had been curious, but had always respected her wishes. Trespassing now felt like a betrayal.

Everything seemed to be in place and in order, but decorated from a period half a lifetime past. The main room was arranged around a low table serving as an altar, holding only a single, framed picture of a young woman. She stood next to a small airplane, one arm draped across the propeller, the other on her hip. Her head was thrown back with laughter and her expression was one of undiluted triumph.

On the couch and floor were scattered a multitude of empty liquor bottles. Tomas carefully picked his way around them in the gloom.

Creeping up the stairs, Tomas could see four doors leading off from the landing. The one directly in front of him led to a bathroom, dominated by a claw-foot bathtub. Mismatched towels lay in a pile under the freestanding sink.

Testing the door on the far left, Tomas found it locked. The middle door was ajar and swung open easily at his touch.

Inside, the dim light showed little, but the smell was revolting. As Tomas’ eyes adjusted he could see chaos, garbage and litter mixed with weeks’ worth of discarded clothing. The outline of someone was sprawled across the bed, far too large to be Katarina.

Had Kat’s father finally drunk himself into a grave he had pursued for years? Tomas was seized by fear and indecision, trying to think of what he should do and how he could explain his presence here. When the body suddenly convulsed with a snore and collapsed back into unconsciousness, Tomas thought his heart would burst.

Backing out, Tomas turned to the final door. This must be Katarina’s room. It was clean but cluttered, the dresser top covered in books about Mars and space travel and galaxies. The window was open, thin curtains fluttering with the breeze. Scraps of paper covered the bed, pages filled with doodles of alien landscapes and strangely beautiful ships of the night. The ceiling was covered with phosphorescent stars and moons only faintly glowing a pale and sickly shade of green, their energy from today’s sunlight nearly spent.

“Katarina?” he softly called. There was no answer, but a light behind him caught his eye. He spun, but saw nothing.

“Katarina?” he called again, a touch louder. Again, no sound could be heard but for the rustling curtains, but this time Tomas saw a short, faint increase in the light from the dim stars on the ceiling, as gentle as a sigh.

“Katarina? Where are you?” Tomas asked the emptiness more urgently. “Talk to me, I’m worried about you. What’s going on? Kat?” With each invocation of her name, a wave of light rippled across the plastic constellations, each swell of photons successively brighter.

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Flash Fiction: Zombies Don’t Eat Fuchsia Poodles

This week the Flash Fiction Challenge from our beloved Chuck Wendig is to write a story with a title including a color. I rolled a 6, so I get to play with “fuchsia.” Okay, I’ll admit, I hear the word all the time, but I have no clue what it looks like, so, “Hello, Google?”

Fuchsia

So, you wonder how a story gets written out of thin air? If it’s a story like this, it helps to have a Robin Williams special going in the background. You sit and think and you’ve got nothing. Any genre? Not a glint. Any style? Not a glimmer. Any ideas? My skull is pulling a hard vacuum. “This one is pretty easy,” Chuck said. I might have a different opinion.

You’re looking for any kind of a hook, a starting point. Finally, the Muse takes mercy on you and says, “Robin thinks you should write something silly.” Great, now my muse is talking to Robin Williams, and Robin is stating the semi-obvious. Say hello for me!

Does Robin have any suggestions on how to write this thing? “Yes,” says the muse, “you should start by thinking up a bizarre, silly, stupid title and then figure out what the story has to be for it.”

Oh, you mean like this one?

Thanks, Robin. Again. For everything.

ZOMBIES DON’T EAT FUCHSIA POODLES

Our backs against the tree, trying to pant and wheeze as quietly as possible while being absolutely motionless, I tried to analyze where the experiment had gone wrong.

Since the ‘Lypse we had all been busy trying to either be fast, good, or lucky. We hadn’t had a lot of time to figure out what had happened, or why, or who was responsible. Research was the luxury of a populace which wasn’t constantly five minutes away from being ripped to shreds. No atheists in foxholes? Maybe, but definitely no paranormal epidemiologists had survived the ‘Lypse.

A few of us had tried to keep our eyes open as we ran for our lives. We would jot down some notes when we found shelter. It was up to us to remove ourselves from the endangered species list – no one was going to do it for us.

There had been a lot of changes real fast. The zombies were the most obvious, but there were massive, overnight, seemingly random mutations throughout the animal kingdom. Among us survivors there were tales of stinging insects the size of blue jays down south, and dolphins big enough and mean enough to sink aircraft carriers along the coast. We hadn’t seen any of those things here in Minnesota. On the other hand, I personally had seen a herd of miniature moose the size of rabbits taking down a bear.

The household pet population had seemed to get hit particularly hard. As a result, no matter where you were, you had been attacked by zombies, and you had seen bizarre cats, dogs, hamsters, birds, snakes, goldfish, and pot-bellied pigs. There were huge ones, tiny ones, weird colors, and psychedelic patterns. Scales where there should be fur or feathers and vice versa.

It was like God had dropped some bad acid and took reality along with him on the trip.

I was the one in our pack who first noticed the growing population of the fuchsia poodles.

While the mutant pets had gotten weird, they hadn’t gotten deadly. Kittens still wanted to play with string. Puppies still wanted their tummies rubbed. They were just as much prey as we were when the zombies came through and they were far less prepared to fight back. Their populations had dropped faster than ours had.

Occasionally we would see packs of feral dogs. More and more they were comprised of fuchsia poodles. Not blue, not green, not yellow. Not Dobermans, not German shepherds, not retrievers.

Fuchsia. Poodles.

We were desperate. We were losing the war. We were being eaten. We had to do something.

Helen was convinced it was the fuchsia color that was the key. She argued we only saw fuchsia poodles because only poodles had turned that color. She went out and found every piece of fuchsia clothing she could and dressed in it head to toe.

It was Helen’s belief that the zombies couldn’t see anything fuchsia colored, sort of like how the Predator couldn’t see Arnold when he was colored in mud. She believed it right up to the point where she stopped screaming after the zombies got her.

The packs of feral fuchsia poodles got larger. The packs of feral humans got smaller.

A week ago my pack ran into another group that was heading north from the Chicago area. We gave them a place to stay overnight. Over a cold dinner we swapped stories and information.

Their leader had also noticed the fuchsia poodle anomaly. Better yet, she had seen in person what was happening. They had been hiding up in a stand of trees, waiting for a zombie pack to shamble on by, when a pack of dogs had run through. The zombies had started to attack the pack, but a handful of fuchsia poodles had counter-attacked without being touched, driving off the undead.

Other breeds, other colored poodles, all turned into zombie chow, while the fuchsia poodles could as well have been invisible.

I was tired of running and sick of being prey. The best defense is a good offense. Insert your favorite platitude here. I finally had a plan.

We kept our eyes open and the next time we saw a pack of dogs, we didn’t ignore them or scare them off. We tempted them with food, got them to come near, and performed a quick re-domestication operation.

So it was that I found myself strolling across an open field with two dozen dogs, including five fuchsia poodles, just tempting the zombies to appear. Which, of course, they did.

I don’t know what I was expecting. I guess I was hoping my new, magical, magenta canine friends would attack the zombies and protect me. I wanted to find the silver bullet that could even the playing field against this ravenous horror.

The dogs saw the zombies and took off running for safety. Some of the zombies broke away to chase them, but they were driven back by the fuchsia poodles, allowing the rest of the pack to escape.

The rest of the zombies kept coming straight for me. My friends in the trees yelled, “RUN!” I didn’t need to be told. The fuchsia poodles could not have cared less. I was not part of their pack.

So now we’re here, once again trying to catch our breath, once again trying not to give away our position. Failure is an option that equals a horrible, painful death.

The scientific method is apparently dead, along with ninety percent of the world’s population. So much for working hypotheses, testing of theories through experimentation, and revision of the theory based on new data.

We’ve been transported to a universe of chaos and insanity, but we probably won’t be here long.

The universe has gone mad. Rules? None. Logic? Dead.

“But that’s not the way it is,” you say, “it can’t be!”

Tell it to the zombies behind us and the herd of miniature piranha-like moose thundering toward us from the other direction.

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Filed under Critters, Dogs, Farce, Science Fiction, Writing

The 2014 Hugo Awards

Back in April when the final ballot nominees for the Hugo Awards were announced, I talked a bit about them an encouraged anyone who might be interested to get a Worldcon membership, download the voter’s package, read as many of the nominated works as possible, and vote for your favorites. I also said that I would be reading and critiquing and commenting. In reality, all I did was some reading, and then I voted. (Not quite my most epic fail, but it does give me something to improve on next year.)

Yesterday the Hugo Awards winners were announced at Loncon3 in London. You can find a list of the winners here. In general, I was very pleased with the winners and the ceremony, which I watched online. (You can watch it here — getting an account is free.)

A few comments, if I may, more or less off the top of my head:

First, it was wonderful to see so many women being recognized for their work in the field. Women won eight of the fourteen non-dramatic-presentation categories, plus Sofia Samatar won the John W. Campbell Award For Best New Writer (not a Hugo Award) (*). Best Fan Artist (Sarah Webb), Best Profession Artist (Julie Dillon), Best Fan Writer (Kameron Hurley), Best Editor Long Form (Ginjer Buchanan), Best Editor Short Form (Ellen Datlow), Best Related Work (Kameron Hurley), Best Novelette (Mary Robinette Kowal), and Best Novel (Ann Leckie).

Isn’t it great to see that better than half of the awards went to the gender that makes up over half of the population? Not that there ever should be any kind of requirement for a strict 1:1 ratio or quota, of course. The best work should always win, regardless of whether it was written by a man or a woman. In a perfect world, we wouldn’t even be having this conversation, and if anyone brought it up they would be looked at funny, as in, “Why could that possibly matter?”

But it’s not a perfect world, and women have been fighting an uphill battle in science fiction and fantasy literature forever, just as they have in all other fields of literature, and in all other fields of employment, and in just about every other aspect of society. Especially with some of the terrible misogynistic bullshit that’s gone down this year in both fandom and in the professional ranks (**) it’s good to see some pushback and some positive recognition of the contributions women are making to the genre.

Secondly, it was fantastic to see Randall Munroe win the Best Graphic Story award for his XKCD comic, “Time.” XKCD is consistently intelligent, wonderful, amazing, clever, delightful, and sometimes able to bring me to tears at the drop of a hat. For me, this category was a slam dunk, and the voting results (here) confirm that XKCD was a runaway winner in the category.

Thirdly, I was very happy to see the two winners in the Best Dramatic Presentation categories. For the Long Form, “Gravity” won, as I had hoped it would. I could have seen “Frozen” taking it on a big vote from that demographic (my daughters are still gushing over it), or “Pacific Rim” taking it on a big vote from that demographic (people like Grant Imahara and Adam Savage from “Mythbusters” and Wil Wheaton gushing over it). To me, not only was “Gravity” a better film than the other nominees, but it was a better science fiction film, despite some of the factual quibbles from NASA astronauts. It’s incredible that 1950’s science fiction has become today’s reality, and now today’s reality feeds back to be the basis of today’s science fiction. This movie was the closest the general public has come to actually being in space and I think it deserves every award it can get.

In the Short Form, as always, the category was dominated by Doctor Who episodes and specials. Three of the five nominees were Doctor Who related, along with an “Orphan Black” episode (I hear the show is wonderful, but haven’t seen it yet) and a “Game Of Thrones” episode. Surprisingly, to me at least, especially with the convention in London and a heavily British membership and vote, the “Game Of Thrones” episode won. The episode in question is both one of the best and one of the most gut wrenching in the series, which is saying quite a bit given some of the brutality in the plot and the incredible body count of primary characters. I was worried that the very disturbing events of that particular episode might turn the voters off, but not so.

Fourth, I was thrilled to see Mary Robinette Kowal win the Best Novelette award for “The Lady Astronaut of Mars.” She’s wonderful, the story’s wonderful, and it was a well-deserved win, especially after the story was nominated last year and then pulled from the ballot on a technicality. I’m glad that they found a way to get around that issue and get the story qualified for this year. Once it was on the ballot, it was another instance where I figured it was the story to beat in the category.

Fifth, Ann Leckie’s win for “Ancillary Justice” as Best Novel was what I considered to be a Very Good Thing. “Parasite” by Mira Grant is great and I love Mira’s (Seanan McGuire’s) work. The fact that the entire “Wheel Of Time” set of seventeen humongous novels got nominated was a huge surprise, and the series has a bajillion fans, so I thought it had a chance to win. Charles Stoss has won in the past (this year’s Best Novella and 2005’s) and has had novels nominated for both the Nebula and Hugo Awards, so it wouldn’t have been a huge surprise if he won. But having said all of that, everyone and their cousin had been gushing over how great “Ancillary Justice” was. I’m glad it won.

Sixth, there was a fair amount of controversy (***) about a couple of this year’s nominees, how they got on the ballot (legally, but perhaps unconventionally), why they got on the ballot, and who the nominated writers were. One nominee might have been collateral damage in the other group’s “mission from god,” but I haven’t read his novels (nor do I intend to) so can’t offer an informed opinion. The main character in all of this brouhaha is a really unpleasant individual who doesn’t write very well at all, but most importantly, has some truly vile and disgusting points of view. It was with a great deal of pleasure that I saw that not only did his nominated work not win, but it finished so far down in the voting that it actually lost to the “No Award” option. I think that’s the only the second time that’s ever happened. It couldn’t have happened to a more worthy story or author.

Finally, the webcast of the ceremony was very well done. The last two years have had problems, primarily when the Best Dramatic Presentation nominees were read. The names of the nominees are usually accompanied by a clip from the TV show or movie, and this has repeatedly caused copyright “bots” on the internet to shut down the webcast for presumed copyright violations, despite the fact that the clips have been obtained with full rights to use them at the awards ceremony and on the broadcast. Whether it was as a result of that or not, this year there were no clips and the webcast was clear, solid, stable, with good audio. As for the show itself, it seemed to move right along and for the most part do a very good job. In particular, the segment which displayed a video scroll with the names of deceased fans and people related to fandom (for example, astronaut Scott Carpenter, author Tom Clancy, and actor Robin Williams) was very moving and well executed.

All in all, it was a great show and a wonderful slate of winners. I enjoyed watching it. Now it’s time to start reading and getting ready for next year’s nominations and awards in Spokane. (Remember, rates go up September 1st!)

Maybe we’ll see you there?


(*) – For those who don’t know, this award has been given out for over forty years, is nominated and voted on along with the Hugo Awards, is presented along with the Hugo Awards, but it’s always mentioned about a hundred times throughout the process and at the awards ceremony that it is “not a Hugo Award.” This is now sort of like the thing they read in the middle of every baseball broadcast about, “The pictures and accounts of this game are the property of [insert team here] and any rebroadcast, reproduction, dissemination, or other use  without the express, written consent of Major League Baseball is strictly prohibited” — only SF&F fans are a bit more snarky about it.

(**) – If you don’t know what I’m talking about and are curious, ask and I’ll be more than happy to jump into the fray and tell you where to look for the grisly details. It’s something I’m pretty passionate about.

(***) – Again, if you don’t know and are curious, I can point you in the right direction. I would caution against actually reading anything by this guy or any of his minions. Every time I do, I feel the strong need for a shower, a stiff drink, and something to restore my faith in humanity.

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Flash Fiction: I Remembered It Was Thursday

Chuck Wendig, who is working his bearded fingers to the bone with his new YA novel out, has this week dropped an odd Flash Fiction Challenge on us like a ton of bricks. He has given us a picture of the cover on the re-issue of “Charlie & The Chocolate Factory”

 and correctly pointed out that it must be for the wrong book! We’re supposed to write the story that the cover is really for.

Challenge accepted! But I almost forgot that today was Thursday and posted something completely different here, so that gave me the title to go along with the picture. Two points make a line, three non-linear points a plane, and four non-planar points a space, so to get to the point, let’s write a space story…

I REMEMBERED IT WAS THURSDAY

It had really been nuts, between the CO2 scrubbers shutting down and then the coolant loop pumps failing. Murphy’s Law had followed us off-planet, not that there had been any doubt it would, at least among those of who lived one bad break away from a quick death. I had my hands full.

I had just managed to troubleshoot the scrubber problem to find where the fault was when the alarms went off for the coolant system. GRACE had followed protocol and started shutting down systems and shedding load to keep critical systems operational, but some of those “non-vital” systems were needed to bring the scrubbers back up. I was being painted into a corner.

Of course, the best part of it all was the way everything started cascading just as I was about to go to sleep. Nothing like going into a real-life emergency drill with half your brain shut down to begin with. Adrenaline – ask for it by name.

After an hour it became pretty obvious that GRACE wasn’t going to let me re-activate the systems I needed until I first got the coolant problem solved. Manual overrides can’t be done on some key systems in situations where GRACE has taken over. I understood the logic of that. Hell, I’m one of the guys who designed the system. If we lived, we would have a new data point to consider. Perhaps a minor tweak to the system might be called for.

I tried to get GRACE to at least open up one comm link back to home, but that was deemed non-essential as well. Rather than argue with her, I grabbed a portable data recorder, put on a medical sensor shirt, linked them, and started a running commentary. If I didn’t make it, at least someone would find the data eventually and figure out what happened. I hoped.

I had to keep moving. GRACE had kept a minimal number of fans going to keep the air circulating, but if I got into a tight space and wasn’t moving around, a bubble of CO2-rich air could build up around me like a halo, knocking me out in minutes. As it was, with the scrubbers offline, I only had a few hours at best. I thought about putting on a suit, but it would have been way too clumsy to work while wearing it. Instead I grabbed an emergency O2 kit intended for use if there was a toxic leak.

Down in the engine room it was cramped and already getting seriously warm. I got to work on the cooling system, setting my watch alarm to go off every ten minutes so I would remember to check my vitals. About the time the really bad headache started I found the ammonia flow valve controller that had locked up.

The only good news was that I could bypass the problem without having to go outside. I really didn’t have the time to do that. The bad news was that it was going to take too long to fix from inside. I set my alarm to every five minutes, started taking hits of O2 with every check, kept up the play-by-play to my digital sidekick, and pressed on.

I was getting close to finishing the bypass couplings when the O2 tank went belly up on me. The nearest replacement was a deck up and two sections over. I made a note for the record that we needed to have O2 in every compartment in the future, then pressed on, the muscles in my arms and hands starting to spasm and my nausea growing rapidly.

I don’t remember being surprised when I heard Violet’s voice. I hadn’t expected to talk to her again, not at this point in the mission, but she sounded as sweet as ever.

I turned about and found Violet sitting on her mother’s lap. Rose was dressed in one of her stupid retro-70’s pop art miniskirts, but she was silent, staring off into the distance beyond the bulkhead. Whatever she was mainlining today, she wouldn’t be joining us for lunch.

Violet was dressed in her favorite tea party getup, pink and purple, a pink bow in her long, golden hair with that monstrously huge feather boa coiled around her. Her unseeing eyes stared at nothing, as always.

“Daddy, why didn’t you come? I’ve been waiting all day.”

“I’m sorry, Violet dear, but I’m busy now. Can I come in a little while?”

“No, Daddy, I need you now! Mr. Furball is going to get away and then we’ll never be able to have tea today.”

“Is today tea day? I’m sorry, I don’t feel good, Violet. But it’s going to be okay.  Now I remembered it was Thursday, and we always have tea on Thursday, right?”

“Yes, but first you have to save Mr. Furball, Daddy. Why aren’t you helping me?”

“What’s wrong with Mr. Furball? Isn’t he in his castle?”

“He’s running around in there but Brutus has smashed the tubes again. When Mr. Furball finds out he’s going to get away and then Brutus will eat him!”

“How many tubes are broken, honey? Can you show me where they are?”

“Three of them,” she said, holding up her baby fingers to show me. “They’re right there but you have to fix them right now before Mr. Furball gets here. He’s coming!”

“I don’t know if I can, Violet. I’m very tired and I don’t feel good. Maybe after I take a nap I can get it done. Would that be okay?”

Violet’s face never changed, but tears began to run down her face. “No, Daddy, you have to do it now, not later! It will be too late later. If you don’t do it for me right now Mr. Furball will get away and Brutus will eat him and I’ll never speak to you again!”

“Okay, dear, I’ll try to do it now. Please don’t cry. Let me see what I can find.”

It was almost impossible to see with all of her toys and dolls all over, and Rose’s complete inability to help didn’t make things any easier. Everything was getting fuzzy and indistinct, shifting, moving when I hadn’t moved them. I could hear Violet crying harder, sobbing, wailing warnings at Brutus to stay away.

I had to concentrate, but it was hard and harder. I just needed a little nap, just a few minutes. After that I could get it all done in a jiffy.

I awoke stuck to an intake screen on the ventilation system. My head was splitting open and my vision was blurry. But the air was moving, holding me to the screen. I pushed away and looked around for Violet.

Of course, she wasn’t there. I checked and saw almost twenty minutes had gone by, but I was alive because the cooling system was running again, as were the CO2 scrubbers.

I managed to double check the three jumper lines I had connected and made sure they were secure. The last thing I needed right now in my condition was an ammonia leak. Then I headed back up to the bridge.

As I floated through the corridors, I grabbed the first fresh O2 bottle I saw, turned it on full, and started to take deep, slow breaths. It didn’t do much for my stomach or my headache, but at least the cobwebs started to clear between my ears.

On the bridge I found that GRACE, once the coolant loop came back on line, had executed the procedures I had entered to turn the scrubbers back on. There were more permanent repairs to be made, but I would be able to take care of them after I got some sleep.

Strapping myself into the command seat, I fell asleep almost immediately, still alive and kicking as the captain and pilot of the Violet B, outward bound toward Epsilon Orionis VI at 0.95c with her cargo of 12,413 colonists.

My blind and precocious daughter included.

 

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LAX Night Landing – City Lights In Motion

I’ve always been interested in some of the more abstract and artistic things you can do with light, dark, and motion in photography. I think part of this comes from my first astronomy photographs as a teenager being star trails. (We haven’t done those yet, too much light pollution in the city, but it might be worth a field trip.) Photographs of fireworks also are related to this. It also goes to how ultra slow-motion photography and time-lapse photography can make you notice things that would otherwise go unseen.

In low light, trying to take pictures of pinpoint lights is a problem. To do it properly you need a tripod and a long exposure. Generally for this sort of thing you think of cityscapes or catching the moon rising or setting. For the most part, the subject of the photograph is static, motionless. As long as the camera’s also motionless (no wind jiggling the tripod, etc) then you can take a 30-second or longer photo and keep it in nice, sharp focus.

If you can’t keep the camera motionless, you’ve got problems. I’ve tried many times to take pictures of cities at night from 33,000 feet. There might be one or two that are at least kinda-sorta recognizable as the subject (Las Vegas is pretty good for that) but most of them are a blurred mess. A one or two second long photo of bright lights in the dark turns into a soup of blurred dots.

But what if you take that “problem” and take it to an extreme. Sometimes I’ve stumbled on things accidentally and later deliberately to try to reproduce and experiment with the technique. I find that it can give some beautiful and amazing results.

Here are a few pictures from a flight where I was landing at LAX at about 10:45 PM. All of the pictures in the series where I tried to actually capture the city lights as they looked, using 1/2 second and 1/4 second exposures? They’re garbage. But a few of them that accidentally got exposed for two or three seconds, combined with the motion and vibration of the plane, made something quite different.

(Remember, you can get full-sized images by clicking on these.)

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I really like the way this one shows an obvious effect when you’re moving as quickly as you are in a jet on final approach. The lights nearest you (lower right) move a long way during that 2.5 seconds, while the lights in the distance move much less. And the full moon in the far upper right doesn’t move much at all. Regardless of the reason, it’s a great effect.

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The most interesting thing about this one is how there are elements that are not moving in step with the others. Normally, all of the squiggly lines that are made by the motion are in lockstep (the lights are all still, you are moving and jiggling, the lights all take the same path) but there is the appearance here of some lights moving in radically different directions than the others. I think I know what caused it, but it’s still very odd.

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Possibly Inglewood under a layer of thin clouds. It makes me think of the portrayal of Los Angeles in Richard Kadrey’s wonderful “Sandman Slim” books.

Each of them could all be used as the background of a John Harris or Richard Powers painting. But that could just be me.

 

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Juicy Chunks O’ Wisdom For Saturday, July 26th

‘Cause I started running today, that’s why.

  • I was hoping that the first run of the training season wouldn’t be quite so bad as in previous years when training started. My logic was that: a) even though I haven’t been running or exercising a lot I’m still overall in better shape and weighing less than I did in previous years, and; b) I’ve learned how to pace myself, my body knows what to expect, blah, blah, blah. All of that perfectly good logic appears to have been trumped by one simple fact – I’M OLDER.
  • Sitting here with the bright lights on at night, there are usually some kind of bugs tapping on the window, trying to get in and mate. (And we thought we had weird sex lives!) But tonight, it sounds likes hummingbirds trying to get in, repeated big smacks against the glass.
  • Three days in a row there have been attempts to launch a Delta 4 out of Florida – three days in a row they’ve had weather that looks like this:  2014-07-26 Cape Canaveral Weather Radar  This weather typically violates at least three or four (and sometimes as many as six or seven) launch rules regarding the weather. But the best comment so far (commentator unknown) has been, “The Russians would have launched!” It’s funny because it’s true. (On Monday they’ll try for a fourth time to launch the Delta 4, the weather’s predicted to have a 60% chance of being acceptable. By our standards, not the Russians’.)
  • Coldstone ice cream is proof of a God/Universe that wants us to be happy. With my current healthy eating habits I only get it once or twice a year. Tonight I had enough so that I’m starting to see time. THAT’s a sugar rush!
  • Is Joe Maddon, manager of the Tampa Bay Rays baseball team, just one of the neatest guys on the planet?  2014-07-26 Joe Maddon Tweet I think we knew it before, but this is confirmation.
  • Maybe the tiny bugs are teaming up and building tiny battering rams to try to get through the window and to the sexy light. Isn’t that how a Steven King novel starts?
  • Slatter’s Corollary to Murphy’s Tenth Law of Food says I’ll be regretting tonight’s ice cream tomorrow morning. Willett’s Rebuttal to Slatter’s Corollary to Murphy’s Tenth Law of Food says the ice cream tonight was worth it anyway.
  • Those bugs are really going to be disappointed, even if they break through the glass with their insectoid battering ram — it’s a double-pane window. (As a precaution against just this possibility, I might add!)
  • It really sucks when your computer locks up in the middle of writing a blog article and requires a reboot using the pull-the-plug-out-of-the-wall method. How do I know this, you might ask…

Remember, “Some days you’re the bug. Some days you’re the windshield.”

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Flash Fiction: Amusement

After the absence of an “official” Flash Fiction Challenge last week (which left me to revisit an earlier Challenge on my own, just because) this week we’re back to normal. Our new Flash Fiction Challenge is to write 2,000 words using a list of items given to us at random by the @YouAreCarrying Twitter bot. Send a tweet of simply the word “inventory” to @YouAreCarrying and it will tweet back a list of items you are carrying as if you were a character in an old Infocomm text adventure game.

You remember these, right? “You are standing in an open field west of a white house, with a boarded front door. There is a small mailbox here.” That sort of thing, so…

Adventuring we go! As always, comments and constructive criticisms are appreciated.

AMUSEMENT

I spun around as the sound of movement in the bushes behind me sent my pulse racing. There was nothing there, but just to be sure, I took my big stick and poked it into the shrubs again and again. Something loped off across the plaza on the other side, but I didn’t get a good look at it.

(Are you scared?)

I was tired, hot, thirsty, and hungry, a quadruple threat. I didn’t know where I was, how I got there, or how to get out. I just knew that I had to find Her, wherever She might be and whatever might be trying to keep us apart.

(Why do you seek Me?)

Walking around the end of the row of shrubs I could see a food court of some kind on the far side of the plaza to my left. Despite my hunger and thirst, I did not trust what I saw there. To my right the path wound up around the side of a hill and out of sight. Ahead of me, in the shade of a large tree, was a large billboard with a map.

(Where are you going?)

I approached the billboard. There was a red “You Are Here” icon, but it was jumping all around the map at random. From a faint, faded memory I recognized some of the building icons in one corner. Holding up the piece of paper I had found, I could see where the icons printed there matched, right down to the unfamiliar kanji written next to them. When the bouncing icon went into the matching corner of the billboard, a small icon also showed up on my paper, only to disappear when the billboard icon jumped to someplace not shown on my paper.

(Why are you here?)

Off in the distance to the right came another roar. There was a growing rumble, building to a crescendo of mechanical clanking and high-pitched screaming, quickly fading away. After it had gone I could briefly hear faint singing, beautiful and fulfilling, as if the sky itself was celebrating some joyous event. I had been hearing those sounds or something like them coming from different directions ever since I got here.

(When was that?)

I had been making turns to keep away from the roaring sounds, but that obviously wasn’t getting me anywhere. I turned to the right and started climbing the hill. I was quickly out of the shade and into the open sunlight. The air was still with only a tiny breeze, a bit sticky and humid, starting to get warm. The hill was bigger and steeper than it had appeared and soon I was breathing hard and sweating. I pulled the piece of ripped fabric from my back pocket and wiped my face.

(Why are you carrying a piece of a towel?)

As the hill rose I could finally see something of the area around me, for all the good it did. Everything outside of the immediate vicinity was blurred and indistinct, robbed of detail, reduced to mere shapes and colors. There were large, multi-colored structures stretching up into the sky in all directions. Glimpses of movement appeared and vanished on the structures, but no matter how I tried to watch them and follow their paths I couldn’t make any sense of them. My universe had been hidden from me behind warped and imperfect lenses. I thought I might have lost my glasses; when I tried to touch my face I couldn’t tell if I was wearing them or not.

(Are you sure you even wear glasses?)

The roaring and screaming sound came again, louder this time, from somewhere on the hill above me. Almost immediately it came again, slightly different, from down the hill behind me, and again, again different, from down the hill in front of me. I couldn’t hear any words in the screaming, just a chorus of shrill shrieks. With each pass of noise again came the accompanying wordless, voiceless songs of promise and hope.

(What do they know that you need to learn?)

At the point where my path reached its highest point on the hill I could see a crossroads. The road I was on ran straight ahead down to the trees on the other side, while a steep set of steps went down the hill to the right. Up the hill to the left was a steep, rocky footpath fading into weeds and scraggly scrub pines. Next to the intersection was a mailbox. When I got near, I saw something or someone run up and put something in it, before vanishing down the stairs leading down the hill to the right.

(Who or what is out there with you?)

I approached the mailbox and reached to open it. A feeling of impending doom came over me and I snatched my hand back. The source of the fear was unclear, but it got worse as I came closer to the mailbox. It was déjà vu, as if I had been here before and done this repeatedly in the past, even though I couldn’t remember any details. I took three quick steps back.

(What are you afraid of?)

After thinking about the problem, I pulled the nasty knife out of the sheath on my belt. Using pieces of my shoelaces I attached it to the end of the big stick, making a crude spear. Feeling more confident yet still cautious, I used the tip of the nasty knife to pull open the mailbox door. As soon as the door fell open I rammed the spear into the mailbox with all of my strength.

(Do you think you’re clever now?)

The knife stuck into something which began to writhe and struggle inside the mailbox. I held onto the big stick for dear life, leaning my weight into the attack. Soon the thrashing began to subside and a thick, yellow fluid ran out of the mailbox. Gradually the unseen grip on the knife was released, while a large cloud of purple smoke spewed out of the mailbox door and flew away on the slight breeze. There were indistinct and threatening forms in the smoke but I kept upwind and clear of them.

(What have you done now?)

Holding the makeshift spear at the ready, I peered cautiously into the mailbox. All that could be seen there was an envelope. The earlier dread had disappeared, replaced by anxious anticipation. After looking around to make sure I was still alone and safe, I reached in and took the envelope, opened it, and pulled out the single sheet of paper it held.

(Do you really want to know what it says?)

On the paper, in printed block letters, was a cryptic message. “TO STAY SAFE, GO BACK WHERE YOU CAME FROM. TO BE STRONG, GO DOWN THE STEPS TO THE RIGHT. TO BE LOVED, CONTINUE ON AHEAD. DO NOT GO UPHILL TO THE LEFT FOR YOU DO NOT YET DESERVE THAT PATH.” As I read it, the words faded and the paper turned to dust, following the purple smoke onto the rising winds.

(Can you choose wisely?)

I wanted to be angry, to scream into the sky and vent all of my frustrations, to throw a huge temper tantrum. I didn’t know if I was playing a game and I didn’t know what the rules might be, but this was completely unfair. I wanted to be safe, loved, and strong altogether. It was cruel to make me choose one over the others. There had to be a way to get it all and I wasn’t going to be satisfied until I found it.

(Who told you that life was fair and why did you believe them?)

I peered down the three paths to see if I could get any further clues about what they held. The afternoon grew warmer and more uncomfortable as my vision remained blurred and indistinct. The thunder, screaming, and singing continued periodically around me, but brought no insight or additional knowledge. Trapped by my uncertainty and indecision, I found myself unable to move.

(Why can’t you have faith in yourself?)

Staring once again at the three roads and contemplating the choices of strength, love, and safety, I finally resolved to pick one at random and move onward. As I started to chant, “Eenee, meeny, miney, moe,” I desperately wished for an alternative to the three paths before me. That’s when I stopped chanting and turned to look at the rocky path leading up the hill. I knew with certainty She was up there somewhere.

(You’re not about to do something foolish, are you?)

At first, anger drove me on. The accusation of being unworthy stung my pride. The assumption of my failure filled me with a desire to confront my adversary and prove them wrong. I began to walk up the hill, the path quickly turning to nothing more than a rabbit trail. Thorns and tumbleweeds closed in from both sides and at times I was forced to hack a path through them with the nasty knife or push them back with the big stick. Progress was slow and sometimes painful. At one point I looked back to see how far I had come from the crossroads, but it had vanished into the warped and distorted distance.

(Why did your ego lead you to turn your back on strength, love, and safety?)

As I climbed, the periodic sounds gradually grew louder and more distinct. The roaring and clanking became more mechanical and less like distant thunder. The shrill screaming started to differentiate into distinct voices, intermixed with laughter. The music that followed kept me moving when the anger and rage began to fade, replacing them with passion.

(Why do you believe you’re worthy when you were told you weren’t?)

Near the crest of the hill the sounds began to be accompanied by visions. Looking up high into the sky above, some of the gigantic colored structures could be seen stretching upward toward the clouds. With each roar and scream I could now see something large moving past at high velocity, sometimes briefly blotting out the sun. The source of the singing was now getting closer, apparently near the ground just ahead.

(Will you accept the consequences of what you’re doing?)

I broke out of the brush into a large open field at the top of the hill. A white house stood at the center. On the porch sat a Woman in a rocking chair. She was neither old nor young, plain nor beautiful, but while She was relaxed and rocking back and forth, an incredible feeling of strength radiated from Her. I walked toward her and then stopped at the bottom of the steps leading up to the porch.

(Now that you have found Me, what do you wish of Me?)

“I am asking You for Your help,” I said. “I do not know where I am or how to go home. You are the singer, but I do not understand Your song. Please tell me who You are.”

(Would you believe Me if I told you I’m a muse, your muse?)

“I don’t know if I can believe or not. Trust and faith are hard for me. But I need Your help. I can’t do it by myself.”

(Why do you think you’re alone? Why do you talk only of your needs? What of Mine?)

“I don’t know what I have that I can give to You. I don’t know what it is You might want or need.”

(Do you value the black pearl necklace you are wearing?)

I fingered the necklace, counting the pearls on the string as if it were a rosary. “Do You want it? I will give it to You if You wish.”

(Do you know what it will cost you? Do you know the pearls are your spirit, your passion, your energy, your life, your soul? Do you still wish to give it to Me?)

Without hesitation, I took off the black pearl necklace. I took one step up onto the porch and placed it on Her lap.

(Very well, I will help you. The dark sounds of the world, the rumblings and the thunder, they will make you aware of the dangers in the world and you will know fear. The shrieks of happiness and laughter will give you the hope and joy to carry on despite the fears. My songs will be there when you listen and have faith, not to give you wisdom, but to let you see the wisdom you already have.)

I nodded and took a deep breath, feeling refreshed and good for the first time in recent memory. I looked at the Muse and saw the strength, love, and safety in Her gaze and Her belief and faith in me. “How do I go home?”

(Use the shiny key in your pocket. It will unlock any door, if you allow it.)

“But I don’t know where the door is.”

(It’s wherever you allow it to be and make it exist. You’re the writer and the creator. Write. Create.)

Behind Her I now noticed the front door, boarded up. I walked over to it and pulled off the two slats crossed like an “X” on the frame. Reaching into my pocket I found the shiny key and inserted it into the lock.

Turning the key, the door swung open into infinity.

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Ghost Story

How am I supposed to get any work done this evening if they’re going to put “Ghostbusters” on television for me to watch? I mean, jeez Louise!

The story in the family is that I was visited by ghosts once – I told the story many, many years ago to my mother and she believes it still. I have long ago accepted an alternate explanation.

In 1974 I spent the final six months of my senior year in high school living alone in Vermont. I won’t go into the whys and wherefores, but the bottom line was that my parents and brothers and sisters were in Southern California while I was living in our house in Vermont.

The house in question was three stories, eight bedrooms, three baths, and the entire third floor was a family room the size of a basketball court. It was over a hundred years old then and had been many things over the years. We were told that it had originally been built as a parsonage or convent, but then had spent a couple decades or more as a nursing home. When we got it (as a serious fixer-upper) it had been empty for several years. (Who needs an eight bedroom home in Vermont?)

While staying there alone, in order to keep heating costs down, we had closed off the second and third floors and the wing of the house that had the dining room and garage. I stayed in the master bedroom downstairs.

At one point I got sick, the flu of some sort, and spent a couple days bedridden. One late night, I woke to hear footsteps upstairs. I was sick as a dog and didn’t much care, but listened as multiple sets of footsteps walked through the second floor, down the grand staircase at the front of the house, through the study, the big living room, and the dining room.

At this point I saw several figures come into the room, two of them at the forefront, a man and a woman. The woman came and sat on the edge of the bed while the man stood behind her and a few other figures behind him. The woman said that she was one of the former tenants of the house when it was a nursing home. (We knew that there were more than a few of the elderly tenants who had passed away in the house many years earlier.) She and the other former tenants knew that I was there alone and ill, so she wanted to let me know that I would be alright in the morning. They would sit and watch over me during the night, so I should just get some sleep.

I was pretty zonked, between whatever early 70’s over-the-counter cold and flu medicine I was hopped up on and the exhaustion of several days with little food or water with significant “unpleasant bodily functions” to boot. I was probably also seriously dehydrated. Between one thing and the other, I wasn’t freaked out at all by this visitation. I remember it as being very calming and soothing.

I went to sleep as instructed and woke up the next morning feeling much better. In a day or so I was up and about as normal.

I had very vivid memories of the “visitation”, so I told my mother about it when next we talked. To this day, she’s convinced that it was real. She claims to have experienced other poltergeist-like events while she would be alone in the house during the day. Things like the radio station changing or the volume suddenly turning way up loud when she was off in another part of the house completely. Toilets flushing by themselves. That sort of thing.

My explanation for the “visitation” is much more prosaic and boring. Flu + dehydration + hunger and low blood sugar + lack of sleep + intense fever + any cold or flu medication I could get my paws on = hallucinations! We knew the history of the house, so it wasn’t like a seed of suggestion hadn’t been planted. As for my mother’s poltergeist, it was a very, very old building with very, very old wiring and plumbing. We had done the best we could to upgrade and repair, but given a choice between it being proof of the afterlife or just a leaky toilet and a loose wire in a building over one hundred years old, well…

Sorry, my degree is in physics, not psychics, and I’m an amateur astronomer, not an astrologer. And as I had to explain to a cocktail waitress (who truly was a wonderful person) when I was working as a room service waiter for Marriott in college, studying on my dinner break, I studied cosmology, not cosmetology, so no, I couldn’t do her hair for her.

Sorry. It’s a good story, but I have to disagree with my mother on the root cause.

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